Tae-su, a detective fighting organized crime, returns to his hometown for his high school friend Wang-jae's funeral. There, he meets his old friends Pil-ho, Dong-hwan and Seok-hwan and they reminisce. Suspecting something fishy about Wang-jae's death, Tae-su and Seok-hwan start investigating it, each in his own way. Their investigations lead to a land development project that Pil-ho is directing.

High school student Sung Jin commits suicide after being the victim of school violence for a long time. Three years later, one of his bullies Han Yeo Wool debuts as a celebrity. Sung Jin's brother, Sung Hyun, blames himself for not recognizing the pain his brother went through and finds a comment on Han Yeo Wool's news report that Sung Jin didn't commit suicide but was instead killed by Yeo Wool. The brother sets out to find the truth and he heads for destruction.

16-year-old Jeanne awakens in a pool of her own blood, her hands and feet marked with stigmata and her forehead bleeding as if from a thorny crown. This creates conflict, greed and of faith in a community sewn with horrifying secrets.

Susanna is about to become a nun in three days, and she finds herself sharing a room with an older nun, Teresa. This situation leaves her feeling confused and uncertain about whether she can successfully go through with the profession rite.

Benjamin Franklin is a 1974 American television miniseries that chronicles the life of Benjamin Franklin. It was broadcast by CBS. It won the Emmy Award for Outstanding Limited Series.

Walter and his 12-year-old son Henry are a pair of New York City street musicians living at poverty level in an empty Brooklyn lot. When Walter has a nervous breakdown, it's up to Henry to find his father's long-lost family, including the grandfather and aunt he's never met.

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A timid magazine photo manager who lives life vicariously through daydreams embarks on a true-life adventure when a negative goes missing.

A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.

In a mental institution the patients see themselves as people like Jesus, Lázaro, Marta, Maria, Adão, Eve, Sonia, Raskolnikov, Aliosha e Ivan Karamasov, a Philosopher, a Profet, Santa Teresa d'Avila, reciting the Divine Comedy.